The Davidsonian

Issue date: 4/30/08 Section: Arts & Living

8) "X-Men" (Bryan Singer, 2000). As the film that kicked off a millennium that, thus far, has been all about the superheroes in tights, "X-Men" deserves kudos and a blessing from those of us who love our epic battles. Operating on a shoestring budget with too little time, Singer made a film that comic book fans everywhere can call "theirs" with great pride. As we often forget when considering superpowers, the human race is not tolerant of those who are different. This film is a grim reminder, as well as a warning about the dangers of intolerance, and generally a bad-ass action flick.

9) "Spider-Man" (Sam Raimi, 2002). The question: Who am I? The answer: an out-of-shape college senior. Who do I want to be? Spider-Man. Philosophical discourses battling out the philosophies of FDR and Hitler are always fun, but when you can do it in costumes and flying/webslinging about New York, you are a clear winner. Spider-Man is everybody's hero-if you can't identify with him, put your resume out because humanity is sending you a pink slip.

10) "Snakes on a Plane" (David R. Ellis, 2006). The only time Sam Jackson comes in 10th on any list. He didn't need to show me his wallet this time-I already could tell he was a bad mother. The elements here are just too perfect: snakes, a plane, and Samuel L. Jackson. It ranks this low only because it is disappointing on the small screen. When the re-release happens (and you know it will) I will be first in line.

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